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| vogue.it |
“Last season, she was more sophisticated, more lady,” Diane Kendal said of the Proenza Schouler girl. “She’s gone back to very cool.” This meant brown grease paint — M.A.C.’s Richly Honed Sculpting Cream — around the eyes; moist, dewy skin; and only a touch of lip balm. “Not really a look,” was how Paul Hanlon described the hair in comparison to spring’s more sculptured style. “It’s about the confidence of not having to do anything.” To achieve this effect, Hanlon shampooed with Frederic Fekkai Apple Cider Clarifying Shampoo before blowing hair dry. For those with thicker locks, he braided a layer against the head before twisting the rest with his hands and setting the ends with Fekkai Ultra Light Finishing Creme. He wanted to let the girls’ personalities come through, let their hair relax after a long week. He chalked up the success of the concept to the designers Jack McCollough and Lazaro Hernandez’s stellar casting. Like Kendal, he felt the boys were “bringing it back to what they’re all about.”
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| vogue.it |
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