 |
| vogue.co.uk |
"IT'S something a bit different for Christopher Kane, something refreshing,"
said TIGI's Anthony Turner of the slick, low-tied ponies he and his team created
for the show this afternoon.
Using TIGI Catwalk Session Series Wet-Look Gel in sections through the top of the hair, he used a wide-toothed comb to pull hair back into ponies fastened with simple black bands, ironing out the lengths for a sleek, no-nonsense finish.
"I think Christopher liked the idea of the girl having just stepped out of the shower and quickly tying her hair back herself," Turner told us.
Meanwhile the beauty look could only be described as luminous, with Lucia Pieroni using NARS' Illuminators in either Orgasm or Copacabana to create "a beam of light all of the way down the front of the face", offset by black liner between the bottom lashes and on the water line. Beautiful.
Using TIGI Catwalk Session Series Wet-Look Gel in sections through the top of the hair, he used a wide-toothed comb to pull hair back into ponies fastened with simple black bands, ironing out the lengths for a sleek, no-nonsense finish.
"I think Christopher liked the idea of the girl having just stepped out of the shower and quickly tying her hair back herself," Turner told us.
Meanwhile the beauty look could only be described as luminous, with Lucia Pieroni using NARS' Illuminators in either Orgasm or Copacabana to create "a beam of light all of the way down the front of the face", offset by black liner between the bottom lashes and on the water line. Beautiful.
 |
| vogue.co.uk |
Source
No comments:
Post a Comment