Showing posts with label Luigi Murenu. Show all posts
Showing posts with label Luigi Murenu. Show all posts

10/12/12

Runway Makeup: Viktor & Rolf Spring 2013



stylebistro.com

 
 Hairstylist Luigi Murenu went for what he described as a modern, pre-Raphaelite look, with a "dark romanticism," at Viktor & Rolf.

The coif he crafted involved the top section of models' hair hanging straight and then falling in waves. Murenu utilized a bit of serum toward the roots and mousse elsewhere. Models' hair was woven into braids to obtain the crimped effect.

Makeup artist Pat McGrath used gold eyeliner, mascara on top lashes and a slight stain on lips.



stylebistro.com




Source

10/4/12

Runway Makeup: Gucci Spring 2013



stylebistro.com



Like hemlines on a dress, you can often gauge the feeling of a season by the way Pat McGrath grooms an eyebrow. A bleaching proponent who is just as adept at sculpting full, bushy arches, McGrath is one of the industry’s best arbiters on beauty. So it goes without saying that we arrive backstage at Gucci every season—McGrath’s first big stop on what will be a whirlwind European tour—with high expectations. And they were met today, not because of what she did to brows, but what she didn’t do. “There were enough brows in New York,” the face painter said at Frida Giannini’s Spring show, leaving brows alone and referencing the minimalist, nineties beauty movement that reigned in Manhattan and required clean skin and beefed-up brows. “Let’s move on,” McGrath suggested, building a “strong eye” in contrast. “This is Milan. We’re not going to bore you with no makeup anymore.”

Applying a healthy dose of highlighter to cheekbones for a luxurious, luminous complexion, McGrath layered dark brown eye shadows and pencils across lids and underneath the lower lash line, focusing on an “almond, smoked-out” shape that anchored not one but two sets of false eyelashes. “It’s very Marisa Berenson but a little more natural,” said the woman known for applying upwards of ten lash sets to one model. The reference worked just fine for Luigi Murenu, who added seventies model and muse Maria Schiano to the inspirational mood board.

“It has a kind of sixties/seventies feeling to it—an Eastern, orientalist sophistication,” the coiffeur said of the Kiehl’s Clean Hold Styling Gel-slicked hair that he gathered into a low-slung knot at the nape of models’ necks. To give a sense of “structure and architecture” to the look, Murenu coated color-matched extensions with the same product and flat-ironed them so they resembled wooden panels, which he cut straight across and pinned into the base of the buns using John Frieda Frizz Ease Serum to smooth away errant strands. “Before they go out, they’re going to look like statues,” he surmised of the resulting stark uniformity.




stylebistro.com


Source


9/29/12

Runway Makeup: Emilio Pucci Spring 2013




stylebistro.com
 
 
The Asian influence in Peter Dundas’ Spring collection for Emilio Pucci was evident long before models got into their first looks, following a casual round of Champagne drinking and conversation. “It’s Indochine in a modern way,” Luigi Murenu said of the ivory hair pins carved with elaborate dragon motifs that he slipped through long, center-parted half-up, half-downs. “We have to keep it quite Pucci, though,” he added, pointing out that the reference couldn’t be too literal as to abide by the house’s DNA, which necessitates a girl that “has an easy approach to hair but is stylish.”

Prepping elongated strands with Phyto Professional Intense Mousse, Murenu created a painstakingly straight texture with a slick of John Frieda Frizz Ease before cutting short wispy pieces around the face for “modernity and coolness.” As the coiffing star finished his last girl, Dundas made a surprise guest appearance in his chair to get a touch-up before the show. Setting him up with a makeshift barbershop gown, Murenu treated the designer’s signature curls to a few scrunches of Kérastase Nutritive Oleo-Relax Serum.

Lisa Butler kept her nods to Dundas’ Eastern influences duly light-handed. “It’s a concept, not really a reference,” the face painter said of the makeup’s “Zen simplicity.” Rimming lids with MAC Eye Kohl in Smoulder before deliberately removing the black pigment to leave behind just a trace of sultriness, Butler placed a “blob” of its Chromaline gel eyeliner in White above the center of the upper lash line and blended it for “dimension.” Before models hit the runway, Butler added a slick of gloss to lids and a dusting of powder through the T-zone so girls looked a “bit more done.”




stylebistro.com


Source