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| stylebistro.com |
Topshop Unique’s girl is effortlessly cool and understatedly chic—a profile that
was made infinitely clear with a quick peruse of the show’s front row. Next to
Elle Fanning sat Leigh Lezark, who was a stone’s throw away from Poppy
Delevingne, Pixie Geldof, Tallulah Harlech, and Olivia Palermo. “She’s the girl
that everyone wants to be,” hairstylist Anthony Turner confirmed backstage,
where the It-ness of it all was reinforced with a gaggle of the season’s biggest
catwalkers. Cara, Jourdan, et al. got Turner’s low side parts, which were tucked
behind the ears and treated with L’Oréal Beach Frizz for a shine-free, matte
texture. “It’s the day after the night before,” he explained, throwing in a
“nineties Kate Moss” reference as well as the words “very cool” to describe
strands, thus completing the season’s hair inspiration trifecta. As models lined
up before the show, Turner roughed up the hairline and broke up sections in the
back, creating a randomness to the otherwise uniform coifs.
“It’s nineties grunge meets punk,” makeup artist Hannah Murray further elaborated, giving a “pretty edge” to designer Kate Phelan’s white and pale yellow palette. Mixing two Topshop Makeup Blushes in Prime Time and Flush, Murray made a makeshift, rosy eye shadow, which she dabbed with the silvery shade from its Eyeshadow Palette in Constellation to give lids a sheer iridescence. Cheeks were contoured using Topshop Lips in Beguiled, a vampish dark red that was layered with a dollop of its Balm for a dewy finish. To ensure the girls didn’t look “too done,” Murray took mouths down with a finger-patting of foundation while manicurist Anatole Rainey reprised Spring’s “nothing nail” with Topshop Nails in Nice & Neutral.
“It’s nineties grunge meets punk,” makeup artist Hannah Murray further elaborated, giving a “pretty edge” to designer Kate Phelan’s white and pale yellow palette. Mixing two Topshop Makeup Blushes in Prime Time and Flush, Murray made a makeshift, rosy eye shadow, which she dabbed with the silvery shade from its Eyeshadow Palette in Constellation to give lids a sheer iridescence. Cheeks were contoured using Topshop Lips in Beguiled, a vampish dark red that was layered with a dollop of its Balm for a dewy finish. To ensure the girls didn’t look “too done,” Murray took mouths down with a finger-patting of foundation while manicurist Anatole Rainey reprised Spring’s “nothing nail” with Topshop Nails in Nice & Neutral.
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| stylebistro.com |
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