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| stylebistro.com |
The Look: “Innocent girl with some
kind of darkness,” said the Sacai designer Chitose Abe backstage.
The Hair: “A little spooky” is how Guido Palau described it. “Tim Burton-ish, ghoulish.” This meant creating a natural texture using only Redken Forceful 23, a middle part and then allowing ears to stick out, and finally setting with a wig cap to be removed at the last minute.
The Makeup: Diane Kendall used M.A.C. set powder and greasepaints to balance the girliness of the clothes. Brown was applied to the contour and crease of the eye, reddish brown to the lid and underneath, black close to lash line and smudged below, while white was used on the brow, down the nose and on cheekbones. There was no mascara and eyebrows were brushed and penciled in. Majorca powder blush for a pop of pretty. Lip balm on lips.
Nails: Nars black with glossy topcoat.
The Product: M.A.C. greasepaints
The Takeaway: “There’s still prettiness in a darker world,” Kendall said.
The Hair: “A little spooky” is how Guido Palau described it. “Tim Burton-ish, ghoulish.” This meant creating a natural texture using only Redken Forceful 23, a middle part and then allowing ears to stick out, and finally setting with a wig cap to be removed at the last minute.
The Makeup: Diane Kendall used M.A.C. set powder and greasepaints to balance the girliness of the clothes. Brown was applied to the contour and crease of the eye, reddish brown to the lid and underneath, black close to lash line and smudged below, while white was used on the brow, down the nose and on cheekbones. There was no mascara and eyebrows were brushed and penciled in. Majorca powder blush for a pop of pretty. Lip balm on lips.
Nails: Nars black with glossy topcoat.
The Product: M.A.C. greasepaints
The Takeaway: “There’s still prettiness in a darker world,” Kendall said.
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| stylebistro.com |
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